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Saturday, 18 February 2017

Mitrino Horo - Митрино Хоро (Bulgaria)

Posted on February 18, 2017 by muo

Mitrino Horo
Митрино Хоро
Bulgaria


These notes ©2017, Andrew Carnie. We learned two different versions of this dance from Harvey Gardner, who learned in the dance in New Mexico. There is a third version which was taught by Shawn Donaldson and Michael Kuharski. The dance is a variation on the basic folk dance "Narodno Horo"

Meter: 4/4
Formation: Open circle hands down in V position.
Introduction: Start at the beginning of any musical phrase.

Version 1:

(This version is functionally the same as Radino Horo, or Narodno Horo)
Bar 1:  Facing LOD, step R (1); hop on R (2); Step L (3) in LOD, hop on L (4)
Bar 2:  Step R (1), L (2), R (3) in LOD, turn to face center and hop on R, arms come up to W position (4)
Bar 3:  Step on L into the center (1), Hop on L in place (2), Step backwards on R out of center (3), Hop on R (4)
Bar 4:  Step L (1), R (2), L (3) in RLOD, hop on L turning to face LOD, arms come down to V position (4)

Version 2

Bar 1:  Facing LOD, step R (1); hop on R (2); Step L (3) in LOD, hop on L (4)
Bar 2:  Step R (1), L (2), R (3) in LOD, turn to face center and hop on R, arms come up to W position (4)
Bar 3: Step on L into the center (1), Hop on L in place (2), Step backwards on R out of center (3), Step on L next to R (4)
Bar 4: Stamp R next to L no weight (1), pause (2), Cross R over L, arms swing down to V position (3), Rock back on L in place (4)

Videos on the web

Version 1:


Version 2



See also: Radino Horo

Also spelled: Mitirino Horo

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Posted in Bulgaria, line | No comments

Sunday, 12 February 2017

Ţînţăroiul (Romania)

Posted on February 12, 2017 by muo

Ţînţăroiul
Romania


These notes ©2016, Andrew Carnie.

This is the dance presented by Sunni Bloland. There is different but related dance introduced by Mihai David called Tintaroiul de la Iaslovat. The name of the dance translates as "The big Mosquito" and the dance is from Suceava, Moldavia). Thanks to Martha Awdziewicz for finding the source material on this dance for me.

Music: Nevofoon 15012
Meter:2/4
Formation: Circle, hands down in V position.
Introduction: None, or skip the first two bars.

Part 1:

Bar 1: Hop on L foot moving forward in LOD, with R foot extended forward (1), Hop on L foot again)
Bar 2: Step forward on R (1), Click L closed to R (&), step on L in LOD (2)
Bars 3-4: repeat bars 1-2
Bars 5-8: repeat bars 1-4

Part 2: (same melody as part 1)

Bar 1: Facing center: Step R to R, upper body leans to R (1), Close L next to R, upper body straightens up (2)
Bar 2: Step R to R, upper body leans to R  (1), Close L next to R, upper body straightens up (&), Step R to R (2)
Bars 3-4: repeat bars 1-2 opposite footwork, but start by dropping hands and pivoting 1/2 way CW (Pull R shoulder back), to face out. Still travel in LOD
Bars 5-6: repeat bars 12, but pivot 1/2 way CCW (pull L shoulder back) to face back in.
Bars 7-8: repeat bars 3-4.

Part 3:

Bar 1: Turn to face center, Jump on both feet with heels pointed out and toes pointed in (1), close heels together (2)
Bar 2: repeat bar 1
Bar 3: Step on L to L (1), Kick R foot forward (2)
Bar 4: Step on R to R (1), Kick L foot forward (2)
Bar 5: repeat bar 3
Bar 6: Step forward on ball of R foot (1) Close L behind R (2)
Bar 7: Run forward R (1), L (&), R (2), L (&)
Bar 8: Run forward R (1), L (&), R (2), click L next to R (&)
Bars 9-14: repeat bars 1-6
Bar 15: repeat bar 7 except backing away from the center
Bar 16: Run backwards R (1), Leap on L backwards (&), Stamp R no weight (2), hold (&)

Bill and Karen Faust's Fayetteville Video



Sunny Bloland doing the dance at Stockton Folk Dance camp in 1977

  • Sorry the video can't be embedded: https://youtu.be/z_35n3PQI8s

Other notes on the web

  • Page 17 of the (1977) Stockton Folk Dance Camp

Also spelled: Tintaroiul, Tintarioul, Ţânţăroiul, Tintauroiul

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Posted in line, Romania | No comments

Saturday, 11 February 2017

Two Hand Reel - Cor Beirte (Ireland)

Posted on February 11, 2017 by muo

Two Hand Reel
Cor Beirte
Ireland


These notes ©2016, Andrew Carnie. There are many Irish Ceilí choreographies by this name. This is the version commonly found in International Folk Dance groups. This version was taught by Una Kennedy.

Footwork:

Sevens as they are done in Ireland: https://youtu.be/FTDF-zEdNKo
Bars 1-2: Hop on L (1), Step on R to R (&), Step on L behind R (2), Step on R to R (&), Step on L behind R (3), Step on R to R (&), Step on L behind R (4), pause (&)
The reverse can also be done.

Sevens as they are done in most IFD groups.
Bars 1-2: Step on L behind R (1), Step on R to R (&), Step on L behind R (2), Step on R to R (&), Step on L behind R (3), Step on R to R (&), Step on L behind R (4), pause.
The reverse is also done

Threes:
Step on R to R (1), Cross L over R (&), Step on R in place (2)  (This is a pas de basque step)
The reverse is also done.

Music: Decca 12098B, Columbia 33514F, https://youtu.be/NFdS24RaziM, Celtic 1008, or any 24 bar Irish Reel
Meter: 2/4
Formation:, Couple facing, holding R hand in R hand.
Introduction: Depends upon the record. Often it's just a chord, but it might be a phrase of music.

Bars 1-2: Do one Sevens in LOD
Bars 3-4: Do two threes in place
Bars 5-8: Repeat bars 1-4 with opposite footwork, traveling in RLOD
Bar 9: Hop on L, touch R toe forward (1), Hop on L again lifting R up
Bar 10: Do a R threes (pas de basque) in place
Bars 11-12: Using two "threes", turn partner by the R. W can turn under joined hand
Bars 13-16 repeat bars 9-1 with opposite footwork
Bars 17-24: Either just join L hands under right and pull close to partner, or get into the Siamsa Beirte hold (see bar 13 of http://folkdancemusings.blogspot.com/2016/04/siamsa-beirte-ireland.html) hold, and turn each other CW, while progressing CCW around the room, with 8 pas-de-basque steps or polkas.

Other Notes on the web


  • http://archives.mvfolkdancers.com/0_Other%20Items%20of%20Interest/0_Dance%20Instructions/two%20hand%20reel%201.pdf
  • http://archives.mvfolkdancers.com/0_Other%20Items%20of%20Interest/0_Dance%20Instructions/two%20hand%20reel%202.pdf
  • Page 13 of California Folk Dance Federation Dance Descriptions Vol 7
  • Page 39 of Stockton folk Dance Camp (1951)
  • Page 16  of Stockton Folk dance Camp (1954)
  • Page 25 of Stockton Folk dance Camp (1956)
  • Page 83 of Stockton Folk dance Camp (1957)
  • Page 140 of Stockton Folk dance Camp (1961)
  • https://danceminder.com/dance/show/corbei
  • http://www.personal.kent.edu/~ltaylor1/two%20hand%20reel.htm
  • http://www.pdst.ie/sites/default/files/Two-hand_reel_0.pdf

Bill and Karen Faust's Fayetteville Video

Other Videos on the web

<iframe width="560" height="315" src="https://www.youtube.com/embed/9DwdvJpZhQ4" frameborder="0" allowfullscreen></iframe>

Other Sources

  • Lidster, Miriam and Dorothy Tamurini (1965) Folk Dance Progressions. Wadsworth Publishing
Also spelled: Curr Berta
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Posted in Couple, Ireland | No comments

Shecharchoret - שחרחורת (Israel)

Posted on February 11, 2017 by muo

Shecharchoret
שחרחורת
Israel


These notes ©2016, Andrew Carnie. Choreographed and taught by Ya'acov  Levy or Ya'akov Eden (The same dance is attributed to them both). The title translates as "Dark Girl".  It was also taught by Shlomo Bachar.

Music: Haparvarim; Haim Moshe & Glykeria; Zohar Argov; Ofra Haza; https://youtu.be/aD4A_yTBX3c; Francine FM 1X45; Hadarim LP-4; CBS 62947
Lyrics: Moishe Giora
Israelidances.com entry: http://israelidances.com/dance_details.asp?DanceID=1059
Meter: 4/4 (with the occasional 2/4 bar thrown in for fun).
Formation: Couples, facing LOD (CCW), holding nearer hands
Introduction: Depending upon the recording 18 counts, no action. If dancing to the music with singing, start with singing.

Part 1

Bar 1: Yemenite on outside foot (M's L, W's R), to side away from partner (Sway on O to O (1), Sway on I in place (2), Cross O over I (3)). Then kick I foot forward (4)
Bar 2: Step forward on I foot with a deep knee bend (1,2). Straighten knees, keep weight on O (3,4)
Bar 3: Step I (1), O (2), I (3) forward in LOD. Pause (4)
Bar 4: Turning to face partner, Yemenite on O foot facing each other (1,2,3). Pause (4). Switch hands so you're holding M's L and W's R
Bar 5: Do a 3 step turn toward the RLOD (M turns CW, W turns CCW), stepping I (1), O (2), I (3). Pause (4)
Bar 6: Facing partner, and holding both hands, rock backwards on O foot (1.2). Rock forward on I foot (3,4)
Bar 7: Rock back on O, joined hands go out to the sides (1). Rock forward on I, joined hands go down (2). Close O next to I, bringing joined hands up to chest level (3). Pause (4)
Bar 8 (2/4): release hands and snap fingers at chest level (1). Pause (2)
Bars 9-16: repeat bars 1-8

Part 2

Bar 1: Facing partner, step on I to I (1), Cross O over I with a knee bend, clasping partners hands in front of chest (2), Rock back on I (3), Step on O, starting to turn away from partner in LOD (M: CCW, W: CW) (4)
Bar 2: Continue turn away from partner, stepping I (1), O (2), Close I next to O, do not take weight (3). Pause (4)
Bars 3-4: repeat bars 1-2, except women take weight on close of I foot on count 3 of bar 4.
Bar 5: Put R hand on partner's L hip, L hand is up in the air. Stand side to side, with R shoulders touching. Step R (1), L (2), R (3) turning partner all the way around CW. Pause (4)
Bar 6: Yemenite on L foot to own L (springing apart), drop hands off waist and grab R hands with partner as you move away from them.  Then get back into the partner turn position on the L crossing over (count 3).
Bars 7-8: repeat bars 5-6
Bars 9-10: repeat bars 5-6
Bars 11-12: repeat bars 5-6
Bar 13 (2/4): W steps R (1), L (2) (so that R foot is free to begin the dance again), turning clockwise 1/2 way to face LOD. M Step R (1), closes L, no weight (2) facing LOD.

Repeat dance from the beginning two more times. Depending upon the recording may just fade at end, in which case, keep doing the buzz turn until the music is over.

Other notes on the web

  • Page 24 of (1973) 1st Annual Israeli Folk Dance Institute
  • (1977) Camp Hess Kramer
  • Page 13 of Stockton Folk Dance Camp Syllabus (1974)
  • Let's Dance Magazine, July/August 1975

Bill and Karen Faust's Fayetteville Video


Other Videos on the web


Lyrics

http://shironet.mako.co.il/artist?type=lyrics&lang=1&wrkid=6579&prfid=399&song_title=b62d5

שחרחורת 

שחרחורת יקראוני צח היה עורי
ומלהט שמש קיץ בא לי שחורי

שחרחורת יפיפית כל כך
בעינייך אש בוערת ליבי כולו שלך

שחרחורת יקראוני כל יורדי הים
אם עוד פעם יקראוני שוב אלך איתם

שחרחורת יקראני בן לאב מוֹלך
אם עוד פעם יקראני אחריו אלך 


http://hebrewsongs.com/?song=shecharchoret

Shecharchoret

Shecharchoret yikre'uni
tzach haya ori
umilahat shemesh kayitz
va'ani shechori

Chorus:
Shecharchoret
yafyafit kol kach
be'einayich esh bo'eret
libi kulo shelach

Shecharchoret yikre'uni
kol yordei hayam
im od pa'am yikre'uni
shuv elech itam

Shecharchoret yikre'eni
ben le'av molech
im od pa'am yikre'uni
acharav elech


Dark Girl (Morenica)

The dark girl, they call me
my skin was pure white
from the fire of the summer sun
I am dark

Chorus:
Dark girl
so very beautiful
in your eyes - a burning fire
my heart is all yours

The dark girl, they call me
all those who go down to the sea
if again they call me
I will go with them again

The dark girl, they call me
son to the ruling king
if he calls me again
I will follow him

Also Spelled: Shecherchoret
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Posted in Couple, Israel | No comments

Saturday, 14 January 2017

Machar - מחר (Israel)

Posted on January 14, 2017 by muo

Machar
מחר
Israel


These notes ©2017, Andrew Carnie.  Originally choreographed in 1964 by Rivka Sturman. The title translates as "Tomorrow". Not to be confused with the Gadi Bitton circle dance of the same name.

Music:

  • Hed Artzi 7
  • Hed Ariz MN529
  • https://youtu.be/akLQ0U8gORE
  • https://www.youtube.com/watch?v=0bHnkcZfNx8
  • https://youtu.be/jZnJwgjk4Fs

Lyrics &Music: Naomi Shemer
Singer: Lahakat Hanachal
Meter: 4/4
Formation: Trios facing CCW, holding nearer hands
Israelidances.com entry: http://israelidances.com/dance_details.asp?DanceID=440
Introduction: 4 bars, no action

Part 1: Run forward

Bar 1: Run forward in LOD with 4 running steps: R (1), L (2), R (3), L (4)
Bar 2: Step forward on R, crossing R across L (1), hop on R (2), Step forward on L, crossing L over R (3), hop on L (4)
Bars 3-8: repeat bars 1-2, three more times

Part 2: Turns and Progress

Bar 1: drop hands, center person turn to face R-hand person (the outside person). Sway on R to R (1), clap hands towards the R (2), Sway on L to L (3), Clap hands to the L (4)
Bar 2: center person and R-hand person link R elbows and turn each other CW all the way around with 4 running steps
Bars 3-4: center person turn L-hand person with L elbow hold CCW all the way around with 8 steps
Bar 5: repeat bar 1, with center person facing L-hand person (inside person).
Bar 6: Repeat bar 2, turning L hand person, with R hand
Bars 7-8 Turn outside person with L hand, on last 4 counts the center person dances forward to the next group.

Other instructions on the web

  • http://www.folkdance.com/LDNotations/Machar1969LD.pdf
  • Kernerman PDF syllabus collection
  • Page 131 of 1965 Stockton Folk Dance Camp
  • Page 185 of 1968 Stockton Folk Dance Camp

Videos on the web




Lyrics

from the comments in https://youtu.be/0bHnkcZfNx8

מחר אולי נפליגה בספינות 

מחוף אילת אל חוף שנהב, 

ועל המשחתות הישנות 

יטעינו תפוחי זהב.


כל זה אינו משל ולא חלום, 

זה נכון כאור בצהריים, 

כל זה יבוא מחר אם לא היום 
ואם לא מחר אז מחרתיים. 



מחר אולי בכל המשעולים 

ארי בעדר צאן ינהג. 

מחר אולי באלף ענבלים 
יכו פעמונים של חג. 



כל זה אינו משל ולא חלום... 



מחר יקומו אלף שיכונים 

ושיר יעוף במרפסות 

ושלל כלניות וצבעונים 
יעלו מתוך ההריסות. 



כל זה אינו משל ולא חלום... 



מחר כשהצבא יפשוט מדיו 

ליבנו יעבור לדום -

מחר כל איש יבנה בשתי ידיו 
את מה שהוא חלם היום 



כל זה אינו משל ולא חלום...



עריכה: אתי ירוחמי

Taken from: https://evansvillefolkdancers.com/resources/Lyrics/Machar.pdf


Machar ulai nafliga basfinot 
Mechof Eilat ad chof Shenhav 
V'al hamashchatot hay'shanot 
Yatinu tapuchei zaha

Kol ze eino mashal v'lo chalom 
Ze nachon ka'or batsohorayim 
Kol ze yavo machar im lo hayom 
V'im lo machar az mochrotayim

Machar yakuma elef shikunim 
V'shir ya'uf bamirpasot
Ushlal kalaniyot v'tsivonim 

Ya'alu mitoch haharisot

Machar ulai b'chol hamisholim 
Ari b'eder tson yinhag
Machar yaku b'elef inbalim 

Hamon pa'amonim shel chag

Machar k'shehatsave yifshot madav 
Libeinu ya'avor l'dom -
Achar kol is yivneh bishtei yadav 
Et ma shehu chalam hayom

Kol ze eino mashal v'lo chalom 
Ze nachon ka'or batsohorayim 
Kol ze yavo machar im lo hayom 
V'im lo machar
V'im od lo machar 
V'im od lo machar 
AzMochrotayim.


Tomorrow perhaps we will set sail 
From the shores of Eilat to the Ivory Coast
And on the old destroyers

Oranges will be loaded.

All this is not a yarn and not a dream
It is true as the light of noon
All this will come tomorrow, if not today 

And if not tomorrow, then the day after.

Tomorrow a thousand buildings will rise 
And a song will hover on the terraces 
And a blaze of anemones and tulips
Will burst from amongst the ruins.


Tomorrow perhaps in all the paths
A lion will lead a flock of sheep 
Tomorrow a thousand clappers will bleat 
In the many bells of holiday.

Tomorrow when soldiers put off uniforms 
Alerted to other things
Then each man will use his own two hands

To build that of which he dreamed today. 

See also: 
  • http://www.phantomranch.net/folkdanc/songs/songs_israel.htm
  • Gessel, Ira (1995) MIT Song Book. ms. 

Other sources

  • Berk, Fred (1978) 100 Israeli Folk Dances. edited by Barbara Taylor and Susie Hofstatter. Israel Folk Dance Department of the American Zionist Youth Foundation
  • Byrom, Franklin (2009) The Complete Folk dance Notebook. Self published.
  • Donaghey, Robert (1969) Thesaurus of Israeli Dance. Copen Press.
  • Pasternak, Velvel and Allan King (1990) The Best of Israeli Folk Dances. Tara Publications
  • Weikert, Phyllis (1997) Teaching Folk Dance. Highscope Foundation.
  • Weikert, Phyllis (2003) Teaching Movement and Dance, 5th edition. High Scope Educational Foundation.
Also spelled: Makhar
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Posted in Israel, Trios | No comments

Grad Se Beli (Croatia)

Posted on January 14, 2017 by muo

Grad Se Beli
(Croatia)


These notes ©2016, Andrew Carnie. I learned the dance from Shirley Hauk, November 2016.

Music: IFD with the Dutch CD;  https://youtu.be/ABKNQ3BZjbw
Meter: 2/4
Formation: Circle, hands in front basket.
Introduction: Start with singing

Bars 1-8: Starting by crossing R foot over left, do 8 rida steps to the left (cross R over L (1), Step L to L (2))
Bar 9: Step on R forward into the center (1) hop on R (2)
Bar 10: Stomp L (1), R (&), L (3)
Bars 11-12: repeat bars 9-10
Bar 13: Cross R over L (1), step on L to L (2)
Bar 14: Step on R behind L (1), Step on L to L (2)
Bars 15-16: repeat bars 13-14
Bars 17-20: Repeat bars 9-12
Bars 21-23: repeat bars 13-15 (grapevine)
Bar 24: Step on R behind L (1), pause (2)
Bars 25-48: repeat bars 1-24 with opposite footwork and direction.

Depending upon the recording, there may be an extra bridge of music in the middle of the 3rd time through the dance. It happens after the 3rd time through bars 1-24 (circles to the left) and before the third time through bars 25-48. do an extra 9 bars of rida step to the R, crossing L in front to start. 

Videos on the web






Lyrics

From: https://www.soundclick.com/bands/_music_lyrics.cfm?bandid=525482&songID=379267

Grad se beli preko Balatina 
grad se beli preko Balatina 
su-naj-naj, su-naj-naj, su-naj-naj, su-naj-naj 
grad se beli preko Balatina 

Kre grada se bijele ovce pasu 
Kre grada se bijele ovce pasu 
su-naj-naj, su-naj-naj, su-naj-naj, su-naj-naj 
Kre grada se bijele ovce pasu 

Nje mi zvraaa mlada djevojeica 
Nje mi zvraaa mlada djevojeica 
su-naj-naj, su-naj-naj, su-naj-naj, su-naj-naj 
Nje mi zvraaa mlada djevojeica 

Nje mi zvraaa veselo popeva 
Nje mi zvraaa veselo popeva 
su-naj-naj, su-naj-naj, su-naj-naj, su-naj-naj 
Nje mi zvraaa veselo popeva 

Ima brata, ima i dragoga 
Ima brata, ima i dragoga 
su-naj-naj, su-naj-naj, su-naj-naj, su-naj-naj 
Ima brata, ima i dragoga 

Koliko bi ti za dragog dala 
Koliko bi ti za dragog dala 
su-naj-naj, su-naj-naj, su-naj-naj, su-naj-naj 
Koliko bi ti za dragog dala 

Ja za dragog moje erne joei 
Ja za dragog moje erne joei 
su-naj-naj, su-naj-naj, su-naj-naj, su-naj-naj 
Ja za dragog moje erne joei 

Koliko bi ti za brata dala 
Koliko bi ti za brata dala 
su-naj-naj, su-naj-naj, su-naj-naj, su-naj-naj 
Koliko bi ti za brata dala 

Ja za brata vu tu ernu zemlju 
Ja za brata vu tu ernu zemlju 
su-naj-naj, su-naj-naj, su-naj-naj, su-naj-naj 
Ja za brata vu tu ernu zemlju

I got this translation from Shirley Hauk. 


Grad Se Beli—The White Castle
Medjimurje, Croatia

The white castle shines over Lake Balaton
In front of the castle, a herd of gray sheep grazes.
A young gal tends the sheep.
As she tends them she sings happily.
I have a brother; I have a darling.
How much would you give to your darling?
I would give him my black eyes.
How much would you give your Brother?
I would give him the black countryside.

Sheet Music


  • http://www.folkloretanznoten.de/GradSeBeli1.pdf
  • http://www.folkloretanznoten.de/GradSeBeli2.pdf
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Posted in Circle, Croatia | No comments

Sunday, 25 December 2016

Mama - Shlomo Bachar Version - מאמא (Israel)

Posted on December 25, 2016 by muo

Mama - Shlomo Bachar Version
מאמא
Israel


These notes ©2016, Andrew Carnie, as learned from the choreographer, Shlomo Bachar December 2016. The song was originally sung in Ladino, although the version Shlomo uses doesn't appear to use the original lyrics.

Very confusingly Shlomo taught another dance to this same melody in the 1970s called "Mama Lo Raiti". This is not the same dance at all. There are also at least two other Israeli dances out there called Mama, by other choreographers, but done to different songs. 

Music: Mama Yo No Tengo Vista: https://youtu.be/WlDQeAEvCkM. There is a recording on Hadarim IV that works.
Meter: 3/4
Formation: Circle of individuals, no hand holds
Introduction: Start with singing. When Shlomo does it in the video below he starts on the upbeat of the singing. We find this really hard to do and to stay on beat. It's easier to start on the down beat, which immediately follows.

Part 1

Bar 1: Facing in LOD waltz forward R (1), L (2), R (3)
Bar 2: Step forward in LOD on  L (1), Step on R to R starting to turn body CCW to face RLOD (2), Step on L backwards in LOD (3)
Bar 3: Back up R (1), L (2), R (3)
Bar 4: Back up L (1), Turning to face center Step R to R(2),  Cross L over R (3)
Bar 5: Facing center Yemenite R
Bar 6: Yemenite L
Bars 7-8: Pulling R shoulder back make a complete CW circle in place with two waltz steps

Part 2

Bar 1: Facing center, Sway on R to R (1), Step on L behind R (2), rock in place on L (3), Arms sway high and to the R during this bar
Bar 2: repeat bar 1 with opposite footwork
Bar 3: Waltz into the center starting R
Bar 4: Walz out of the center starting L
Bars 5-8: repeat bars 1-4

Part 3

Bar 1: Cross R over L (1), Step on L to L (2), Step on R behind L (3)
Bar 2: Step on L to L (1), Cross R over L, with a knee bend (2), Step back in place on L (3)
Bar 3: Step R (1), L (2) in LOD. turn to face center and step R to R (3)
Bar 4: Sway on L to L (1), Sway on R to R (2), Sway on L to L (3)
Bars 5-8: repeat bars 1-4

repeat entire dance from the beginning until the end of the music.

Tucson Video

Lyrics

Taken from the comments section on a youtube video. The lyrics for the music Shlomo is using above are different (perhaps they are in Hebrew rather than Ladino?)

Mama yo no tengo visto 
pasharo kon ojos mavis 
ruvio como la canela 
blanco como el jasmin 

Quen es este pasharico 
que en el mi salon entro 
pircuro hacerse nido 
al dentro de mi corazon 

Asentada en mi ventana 
lavorando el bastidor 
haber muevo me trusheron 
que el mi amor se desposo 

Despozates mi querido 
confiticos me enviaras 
Comere con amargura 
tambien con mucho llorar


Mama, I have not yet seen 
a bird with such blue eyes, 
blond as the caneel 
white as the jasmin. 

Who is that little bird 
that entered my living-room 
preparing to make himself a nest 
in the middle of my heart. 

Seated at the window 
with needle work 
The news was brought to me 
that my beloved got engaged. 

You received my beloved 
and you will send me sweets. 
I will eat them with bitterness 
and also with many tears.

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