Folk Dance Musings

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Showing posts with label Ireland. Show all posts
Showing posts with label Ireland. Show all posts

Saturday, 11 February 2017

Two Hand Reel - Cor Beirte (Ireland)

Posted on February 11, 2017 by muo

Two Hand Reel
Cor Beirte
Ireland


These notes ©2016, Andrew Carnie. There are many Irish Ceilí choreographies by this name. This is the version commonly found in International Folk Dance groups. This version was taught by Una Kennedy.

Footwork:

Sevens as they are done in Ireland: https://youtu.be/FTDF-zEdNKo
Bars 1-2: Hop on L (1), Step on R to R (&), Step on L behind R (2), Step on R to R (&), Step on L behind R (3), Step on R to R (&), Step on L behind R (4), pause (&)
The reverse can also be done.

Sevens as they are done in most IFD groups.
Bars 1-2: Step on L behind R (1), Step on R to R (&), Step on L behind R (2), Step on R to R (&), Step on L behind R (3), Step on R to R (&), Step on L behind R (4), pause.
The reverse is also done

Threes:
Step on R to R (1), Cross L over R (&), Step on R in place (2)  (This is a pas de basque step)
The reverse is also done.

Music: Decca 12098B, Columbia 33514F, https://youtu.be/NFdS24RaziM, Celtic 1008, or any 24 bar Irish Reel
Meter: 2/4
Formation:, Couple facing, holding R hand in R hand.
Introduction: Depends upon the record. Often it's just a chord, but it might be a phrase of music.

Bars 1-2: Do one Sevens in LOD
Bars 3-4: Do two threes in place
Bars 5-8: Repeat bars 1-4 with opposite footwork, traveling in RLOD
Bar 9: Hop on L, touch R toe forward (1), Hop on L again lifting R up
Bar 10: Do a R threes (pas de basque) in place
Bars 11-12: Using two "threes", turn partner by the R. W can turn under joined hand
Bars 13-16 repeat bars 9-1 with opposite footwork
Bars 17-24: Either just join L hands under right and pull close to partner, or get into the Siamsa Beirte hold (see bar 13 of http://folkdancemusings.blogspot.com/2016/04/siamsa-beirte-ireland.html) hold, and turn each other CW, while progressing CCW around the room, with 8 pas-de-basque steps or polkas.

Other Notes on the web


  • http://archives.mvfolkdancers.com/0_Other%20Items%20of%20Interest/0_Dance%20Instructions/two%20hand%20reel%201.pdf
  • http://archives.mvfolkdancers.com/0_Other%20Items%20of%20Interest/0_Dance%20Instructions/two%20hand%20reel%202.pdf
  • Page 13 of California Folk Dance Federation Dance Descriptions Vol 7
  • Page 39 of Stockton folk Dance Camp (1951)
  • Page 16  of Stockton Folk dance Camp (1954)
  • Page 25 of Stockton Folk dance Camp (1956)
  • Page 83 of Stockton Folk dance Camp (1957)
  • Page 140 of Stockton Folk dance Camp (1961)
  • https://danceminder.com/dance/show/corbei
  • http://www.personal.kent.edu/~ltaylor1/two%20hand%20reel.htm
  • http://www.pdst.ie/sites/default/files/Two-hand_reel_0.pdf

Bill and Karen Faust's Fayetteville Video

Other Videos on the web

<iframe width="560" height="315" src="https://www.youtube.com/embed/9DwdvJpZhQ4" frameborder="0" allowfullscreen></iframe>

Other Sources

  • Lidster, Miriam and Dorothy Tamurini (1965) Folk Dance Progressions. Wadsworth Publishing
Also spelled: Curr Berta
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Posted in Couple, Ireland | No comments

Tuesday, 6 September 2016

The Stack of Barley - An Staicín Eorna (Ireland)

Posted on September 06, 2016 by muo

The Stack of Barley
An Staicín Eorna
Ireland


These notes ©2016, Andrew Carnie. Taught widely in the US in the 1950s by Una Kennedy. It's a standard in the Ceilí dance movement around the country though.

Music:
  • https://youtu.be/vOdBjyonUZ0
  • https://youtu.be/q6nHrgyS5l0
  • https://youtu.be/mz6VlV7pNAk
  • Celtic CL101 78
  • https://youtu.be/rykmHjVL2os
  • https://youtu.be/AJo4Dq31JpM
  • Imperial 1039A
Meter: Hornpipe (4/4)
Formation: Couples in a circle, M on the inside looking out. W on the outside looking in. Hold R hands with partner.
Introduction: depends upon recording, but typically 8 bars.

O = Outside = M's L, W's R
I = Inside = M's R, W's L

Bars 1-2: One "seven" in LOD, Step O in LOD (1),  Step on I behind O (2), Step on O to LOD (3), Step on I behind O (4), Step on O in LOD (5) Step on I behind O (6), Step on O in LOD (7), Hop on O, crossing over with partner so that the M is on the outside.
Bars 3-4: repeat bars 1-2 with opposite footwork, still traveling in LOD
Bars 5-6: repeat bars 1-2, Still traveling in LOD
Bars 7-8: repeat bars 3-4, but don't make 1/2 turn (M are on the outside)
Bar 9: Take L hand under R, moving into the center (W backing up), step O (1), I (2), O (3), hop on O
Bar 10: Step I (1), O (2), I (3), with a little tap or shuffle of the free foot. Hop on I (4)
Bars 11-12: repeat bars 9-10, backing out. on the final hop turn so that M is facing LOD.
Bar 13-16: Get into "Siamsa Beirte" hold (rolling R hand towards him and under joined L hands, elbows out to the side, do 4 polka steps, turning CW but moving forward in LOD (CCW).

Other Notes on the web

  • http://www.folkdance.com/LDNotations/StackofBarley1951LD.PDF
  • https://danceminder.com/dance/show/stacba
  • http://www.panix.com/~czslha/DanceSchedules/CeiliNotes/Stack_of_Barley.pdf
  • Page 10 of (1948) Stockton Folk Dance Camp
  • Page 39 of (1951) Stockton Folk Dance Camp
  • Page 51 of (1954) Stockton Folk Dance Camp
  • Page 89 of (1957) Stockton Folk Dance Camp
  • Page 37 of (1965) Stockton Folk Dance Camp
  • Page 138 of (1972) Stockton Folk Dance Camp 

Bill and Karen Faust's Fayetteville Video

Other Videos on the web


Sheet Music

  • https://thesession.org/tunes/2224
  • http://www.irish-folk-songs.com/the-stack-of-barley-tin-whistle-and-banjo-sheet-music-notes.html
  • http://www.musicnotes.com/sheetmusic/mtd.asp?ppn=MN0028185
  • http://abcnotation.com/tunePage?a=www.oldmusicproject.com/AA2ABC/1201-1800/Abc-1601-1700/1627-LittleStackBarley/0000

Other Sources

  • Casey, Betty (1981) International Folk Dancing USA. Doubleday and Company
  • Melville, John (1985)  Main Folk Dance Camp Syllabus (PDF)
  • Lidster, Miriam and Dorothy Tamurini (1965) Folk Dance Progressions. Wadsworth Publishing
Also spelled: Stacks, Staicin, Eornan (this is incorrect)
Read More
Posted in Ireland, Set | No comments
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